The mystery of the Princes in the Tower has been a subject that I have looked at and researched and thought about, I even addressed their fate in two of my fictional blogs.
Now is the winter of our discontent,
Made glorious summer by this son of York
And all the clouds that lour’d upon our house.
In the deep ocean buried.
And therefore, – since I cannot prove a lover,
To entertain these well spoken days, –
I am determined to prove a villan,
And hate the idle pleasures of these days.
William Shakespeare, Richard III
HIstory has its truth, and so has legend. Legendary truth is of another nature than historical truth. Legendary truth is invention whose result is reality. Furthermore, history and legend have the same goal; to depict eternal man beneath momentary man.
Victor Hugo
Legends die-hard. They survive as truth rarely does.
Helen Hays
When the legends die, the dreams end; there is no more greatness.
Tecumseh
Christmas is a story that has both religious and pagan origins, to ignore its power is to ignore the power of myth – those symbols and legends help us to ground our lives.
Jay Parini
History isn’t just the story of bad people doing bad things, It’s quite as much a story of people trying to do good things. But, somehow something goes wrong.
C S Lewis
The very ink with which history is written is merely fluid prejudice.
Mark Twain
Treason doth never prosper: what’s the reason? For if it prosper, none dare call it treason.
Sir John Harrington
The antiquity and general acceptance of an opinion is not assurance of its truth.
Pierre Bayle
When the legend becomes fact, print the legend.
From the Man Who Shot Liberty Valance
Matthew Lewis. The Survival of the Princes in the Tower: Murder Mystery and Myth. United Kingdom: The History Press. 2017.
In 1483 King Edward IV died and left his crown to his twelve-year-old son, Edward V, who soon was unseated by his uncle, the infamous Richard III. Edward and his brother Richard of Shrewsbury, Duke of York, were soon placed in the Tower of London were not long afterwords they disappeared into history. This begins one of England’s most mysterious and contentious murder mystery. A mystery that still raises passions as it did in the early Tudor period, the burning question has always been, who did away with these two young boys, aged 12 and 9. REams of paper have been written on this subject and the main suspects are their uncle, Richard III, their brother-in-law, Henry VII, Margaret Beaufort, and Henry, Duke of Buckingham. In his book, The Survival of the Princes in the Tower, Matthew Lewis wishes to look beyond traditional arguments and assumptions and ask a very different question: Did the young Edward V and his brother Richard, Duke of York, survive?
Lewis writes of his new book, “One of the primary reasons I wanted to write a book called The Survival of the Princes of the Tower is that none of the traditional list of suspects accused of their murder has ever been entirely satisfactory to me. The disappearance of the sons of Edward IV remains one of the most controversial murder mysteries of all time and it continues to exert a strong pull, provoking passionate reaction on all sides, in no small part because there is no definitive evidence to support any version of their fate, creating a boiling pot of opinion that is frequently defended with vehemence.” He adds that,”the guilt of Richard III and the death of the Princes in the Tower is a comfortable warm blanket. It is something we think we know, almost for certain. ” (The Princes in the Tower By Matthew Lewis. http://onthe tudor trail.com/Blog/2017/08/31/the princes-in-the-tower-by-mattew-lewis/) In this book the author asks the reader to consider something different, maybe the boys survived.
The most famous account of this is Shakespeare’s famous tragedy, Richard III. In this play the hunchback villain limps across the stage reveling in the evil he does, and yet many find his character to be appealing. Much like Boris Karloff’s portrayal of the Frankenstein monster, Richard has a humanity about him that hides under his evil nature. But was the playwriter speaking of Elizabeth I’s great Uncle or someone else. Lewis states that, “There are strong reasons to belive that Shakespeare was writing about Robert Cecil, the son of William Cecil, Lord Burghley…” (Matthew Lewis. The Survival of the Princes in the Tower: Murder Mystery and Myth. United Kingdom: The History Press. 2017. 11) and may have been commenting on the politics of the late Elizabethan times and not of the end of the Plantagenets.
Over the centuries this play has gone from what could have been a quiet criticism of the late sixteen hundred’s political scene to a biography and historical account of the life and times of Richard III. Rod Sterling’s Twilight Zone was a criticism of much of the American society and politics in the late fifties nad early sixties, disguised as science fiction. Could Shakespeare been doing the same, cover up criticism of Robert Cecil in a historical fiction?
Many of the crimes Shakespeare accused Richard of can easily be disproven, he was too young to have participated in the killing of Edward of Westminster as it occurred when Richard was only 2 1/2, While Henry VI and his brother George, Duke of Clarence were put to death by Edward IV. Only in the deaths of the Princes can he be a major suspect in. But why would have Richard did such a deed, he had proven himself a loyal brother to Edward IV and was so trusted by the king he was appointed Lord of the North late in Edward’s reign. He ruled the northern part of the kingdom so well that even after he was killed in the Battle of Bosworth, the was much affection and administration of him in York and many northern parts of the kingdom.
Richard suddenly, soon after coming to London, overthrew his nephew, accused his brother of adultery and had himself crowned King on 6 July 1483. In a strange twist of fate Richard was crowned forty-two years to the day of Sir Thomas More’s execution and seventy years to the day of Edward VI’s death (Henry VIII son and the last Tudor king). Shakespeare used Sir Thomas More’s famous account, The History of Richard the Third, as the base for his play. Lewis says of the Princes, “It is perhaps surprising how little firm evidence remains of the fate of the Princes in the Tower.” (Ibid. 21) He goes on to argue, “The most striking thing about the solid edifice of the story of Richard III’s guilt in the murder of his nephews is the shaky foundation on which it is built.” (Ibid. 25)
Shakespeare was writing a dramatic piece in which he needed to audience to see Richard as the villain, to hide his political commentary and make his play appeal to the audience of sixteenth century London. Many modern films, plays, TV shows, books, and other creations of social media do the same. The same could be said of Thomas More’s works. More was England’s most celebrated intellectual and writer in the early part of the sixteenth century. Schooled in the classic education of the times he wrote in Latin as he saw English as being too guttural to express high intellectual ideas. He used allegory, which “allowed a writer to direct criticism and comment at the establishment of the day in an indirect way that could always be denied.” (Ibid. 26) More’s work, Utopia, is an example of this, as is Jonathan Swift’s Gulliver’s Travels. More used this device in many of his works and thus one should be cautious about seeing them as literal history, also he never finished his history of Richard III, after completing the section on the murder of the Princes he never returned to his work. His nephew William Rastell edited the work and completed it and published it in 1557.
Could More have been using allegory to show the dangers of tyranny to the young Henry VIII, or did he find too many holes in the stories many told him as he researched his project. Lewis points out that More’s first line contains an error. More says that Edward IV died, “after he had lived fifty and three years, seven months and six days, and therefore reigned two and twenty years, one month, and eight days, died at Westminster the ninth day of April.” (Ibid. 27) While Edward IV did die on the ninth of April, he reigned for forty-one years. The description fits Henry VII closer, as he also died in April at the age of 52 after twenty-four years on the throne. Lewis claims that More, “offered an immediate signpost to a knowledgeable reader that what followed was not literal truth, but an allegorical, metaphorical exercise.” (Ibid. 27) Lewis goes on to cite several other examples of inconsistencies in the account that may suggest that More was not relating actual history, but telling a story with a moral truth, much like his work Utopia.
Lewis further mentions that , “In a statement that suggest there was no official Tudor government line on the matter, Vergil also wrote that ‘It is generally reported and believed that the sons of Edward IV were still alive, having been conveyed secretly away and obscurely concealed in some distant region.'” (Ibid. 38) Other stories of this nature are cited by Lewis as well and the author argues that many have been asking the wrong question about these young prices. Instead of who killed them, maybe one should ask if they had been killed at all. He also asserts that many of the stories of their deaths were written by those who needed them dead for political reasons. Especially those who favored the marriage of Prince Arthur with Katherine of Aragon. Also to be questioned is the French accounts as one could argue that Louise XI may have felt the need to eliminate Richard III, who was hostile to him, for the man, Henry VII, who had gotten sanctuary from him in the years before ascending the throne.
Lewis, who gives a detailed description of the political climate of the time, also cites Richard’s actions after the revolt by Buckingham. There were rumors that the Duke had done away with the children and after his execution it would have been no problem for Richard to have produced a confession, real or not, and the boys bodies to quell any suspicion that he had done the deed. Lewis asserts, “The only obvious reason that Richard would fail to seize this moment was that the boys were still alive and their murder had never even crossed their uncle’s mind.” (Ibid. 53) Lewis goes on to cite how there are tiny clues in many records that the prices were still alive and may have been expected to have attend their uncle’s coronation. He also cites that Elizabeth Woodville did allow her daughters to leave sanctuary and attend Richard’s court and that she was treated better by Richard than she was by Henry.
Lewis also argues that far from killing the princes, John Tyrrell actually cared for them and that they may have been separated at this time. This would not have been a cruel or unusual move, as the two boys had been reared separately and most likely did not know each other very well. They may have been moved to two places, With his sister, Margaret, Dowager Duchess of Burgundy and to the North, Richard’s stronghold. Lewis also cites the actions of Henry VII, who never declared Richard guilty of their murder in any of his royal declarations upon ceasing power and consolidating his reign. Also Lewis stats that, “At no point before her death in 1492 did Elizabeth Woodville accuse her brother-in-law of killing his nephews.” (Ibid. 72)
Lewis calls the evidence of their survival a gravitational effect, likened to that of a Black Hole, which all things go into but nothing escapes. He explains, “There are several glimpses again of what might be the gravitational effect of the survival of the Princes which in the absence of any evidence of their deaths or survival, offer the only hint at their fate.” (Ibid. 73) He cites the actions of Lord Lovell in Colchester as one of these clues that they survived. Here he argues that Lovell may have recovered one of the princes, most likely Edward, and got him out of the country to his aunt in Burgundy. He also argues that Richard, after the death of his son, Richard of Middleton, may have been looking into the idea of restoring Edward as his heir. He also cites Henry’s actions around Colchester as intriguing.
Lewis then moves to the two great pretenders of Henry VII’s reign, Limbert Simnel and Perkin Warbeck. He asserts that the word pretender does not mean imposter, but comes from the French word pretendre, which ment to claim. He details the revolts of both young men and then goes on to assert that they may have been the real thing. He notes that Simnel is crowned King Edward, but while tradition holds it was Edward VI, Lewis says some contemporary records say it was actually Edward V. He goes on to say that the young man did not claim to be Edward, Earl of Warwick, but Edward V, son of Edward IV. He was recognized as such by the Irish Parliament, whose records were destroyed by Henry VII on pain of treason. This rebellion fizzled and may have given Henry a template for handling such claims in the future, by simply saying the leader was an imposter and nothing more. It would have been easy, if the young man was Edward ,to substitute another to proclaim he had been a fraud and spend his life working in the royal kitchens. The next pretender was much more of a problem.
The young man known to history, Perkin Warbeck, was one of the most famous pretenders to land in the British Isles. He called himself Richard of York and claimed to be the youngest son of Edward IV. His claim was recognized as true by many nobles in Europe, including his aunt, the Duchess of Burgundy, as well as the King of Scotland, the Holy Roman Emperor Maximilian, and several English nobles. Lewis details the evidence that suggest that he was the second son of Edward IV and that Henry VII knew that he was who he said he was. Elizabeth of York never denounced him as a fraud either, Lewis asserts, “The continued silence on the part of the queen, a quiet she took to the grave, is suggestive that she, like her mother, never became convinced that her brothers were dead.” (Ibid. 193) Lewis asserts further that Henry did not wish his wife to perjure herself and condemn either of the pretenders.
In 1499, under pressure from Spain, both Perkin and Warwick would be executed. This was done to secure the marriage of Prince Arthur and Katherine of Aragon. The same kind of pressure on Katherine’s daughter Mary I would led to the execution of Lady Jane Gray almost 55 years later. Many reports said that Perkin had been beaten about the face, which might have been done to cover up that the man was an imposter. In a scene similar to that in the White Queen, a substitute for Richard may have been obtained, with the promise of a simple hanging and not the gruesome spectacle that the poor received at the time. Lewis states, “Too much of Richard’s story is compelling to dismiss him as a lie as the first Tudor King hoped. It is likely that Richard, Duke of York survived beyond 1483 as it is that he was murdered that year, and there is enough to support the idea that Richard of England could have been the boy grown into a man.” (Ibid. 204)
Lewis argues that , “It is possible to interpret the small amounts of evidence that survive to creat a narrative in which the Princes of the Tower were not murdered by their uncle, but wer in fact protected by him.” (Ibid. 205) Lewis allows that they may have died in battle, but what would have happened to them if they had been captured. The traditional picture of the Tudors would make one assume that they would have been executed immediately without any mercy shown, but that was not the case. The marriage of Henry VII and Elizabeth of York was purely political, used to not only get the throne for Henry, but to solidify his claim as the ruler of England. Despite what may have been a recipe for a loveless marriage , their marriage was a love match in which both Henry and Elizabeth came to love each other deeply. The question is, could Elizabeth have influenced Henry to let the Princes live, if they promised to never challenge the Tudor dynasty? That may have been the case.
Using the same logic he uses to claim they might have survived 1483, Lewis points to who they may have become. First, is the portrait of the More family done by Hans Holbein, who was the official painter of the Tudor dynasty. He cites the theory of Jack Leslau, an amateur art historian, who believes one can find Richard of York in the More family portrait. He said, “The crux of Leslau’s Theory is that Richard, Duke of York, the younger of the Princes in the Tower, can be found, hidden in plain view amongst the members of the More family portrait as John Clement, the figure at the right-hand end of the back row of the portrait.” (Ibid. 210) He says of this theory:
The idea is not as ridiculous as many may think. All that is required is an acceptance that Richard III was not monstrous enough to murder his nephews before they reached their teens, that Henry VII was no murderous villain either and might have been in love with his wife enough to be convinced to spare her brother’s lives if they remain secrets and that Henry VIII was brash and confident in the extreme when he first came to the throne. None of these are impossible to imagine.
(Ibid. 210-11)
Lewis points out hat the early life of John Clement is obscure and his place of birth and parentage are completely unknown. Yet he rose to become a respected scholar in England and was Greek master at Oxford and the tutor to Sir Thomas More’s children. He married Margaret Griggs, who may have been a distant relation to More. He obtained many high academic honors both in England and abroad, he reached the pinnacle of his career in 1544, when he became the President of the Royal College of Physicians. Clement is often refered to have been of noble, even though there is no noble Clement family recorded. An interesting note of the man is that he never was recorded takeing the usual oaths or signed his name to customary documents. Maybe he did not wish to perjure himself and all most likely knew why.
Clement appears named in may court documents and seems to have wide acceptance in spite of an obscure background. Lewis argues, “Leslau’s theory is that Dr. John Clement was, in fact, Richard , Duke of York, who survived under an assumed identity that must have been known at least to Henry VIII and may have been something of an open secret at court, kept quiet by the threat of Henry’s outrage if it was ever made an issue. (Ibid. 215) As for the assumption that either Prince would have fought to the end to assert their rights, may not be the case. They may have seen that they tried and failed and through their sister Elizabeth found a way to live out their lives in quite secrecy. Lewis goes on to speak of Edward V’s fate. He says that, “Jack Leslau also believed that the painting was not silent on the fate of Richard, Duke of York’s older brother Edward V, either.” (Ibid. 223) A flag iris in the painting may refer to the Standard Bearer of King Henry VIII, who by this point was Sir Edward Guildford, the identity Leslau believed was a cover for the continued existence of King Edward V. (Ibid. 223)
Guildford was traditionally said to be the oldest son of Sir Richard Guildford and held many offices in the court and was a close friend of Henry VIII. Edward never had much of a power base and entire career depended on his friendship with Henry VIII. He did not make out a will, which Lewis said was unusual for a man in his position at that time, unless, he lived under an assumed name and it would have been impossible to make out and enforce such a document. Lewis argues, “”Part of the deal for remaining quiescent may have been that a verbal will would be properly executed.” (Ibid. 225) he left all of his property to his daughter jane, despite a nephew who might have been expected to have inherited such things.
Of Guildford Lewis remarks, “One of the most striking connections of Sir Edward Guildford was John Dudley, who later became Duke of Northumberland under Henry VIII’s son Edward VI.” (Ibid 224) He had petitions Parliament for over turn Richard Dudley’s attainer so John could marry his daughter Jane. John Dudley intervened with Thomas Cromwell to help John Clement when he was incarcerated in Fleet Prison for his devotion to the catholic Church. Dudley who reputation was not one to intervene if he had no skin in the game may have done so to protect his father-in-law’s brother and to protect both of their secrets. Clement died in 1572 and was buried in the high altar of St Rombold’s Cathedral, in a place reserved for members of the House of Burgundy and his aunt Margaret.
Guilford’s son-in-law, John Dudley, would go on to become the major advisor to Henry’s son Edward VI after the old king died. His downfall after Edward’s death in 1553 is quick and spectacular, but if his wife was the daughter of Edward V it would explain somethings. In his Device for Succession Edward had named Lady Jane Gray to succeed him. It may have been a manuever to reestablish a male line to the throne and skip both of his sisters, who, by law, were illegitimate. Eric Ives in his book, Lady Jane Grey, argues that Edward’s device was not a move to place Lady Jane on the throne, but to make female rule impossible. He argues that , “Edward was attempting an English equivalent of the Salic Law of France which ensured that the monarch was always male.” (Eric Ives. Lady Jane Grey: A Tudor Mystery. United Kingdom.: Blackwell Publishing Ltd. 2011. loc 3452) He basis this on the original drafts of Edward’s device and not the final one that is used to keep Mary off the throne and the Roman Catholic Church out of England.
It would also explain why Guilford Dudley, Lady Jane’s husband, was so insistent on begin declared King. Of the Queens who ruled Britain, only Mary II insisted her husband, William III, be declared King. Jane left it up to Parliament, but said she would make him a Duke. Maybe, if he knew his grandfather was actually Edward V, he may have been demanding his right. It might have been interesting to see how he might have advanced his claim had Mary I not been successful in her coup that place her on the throne. Lewis states, “If we accept that Sir Edward Guildford was, in fact, Edward V and that his daughter Jane Dudley was therefore an heir of the House of York, then Guildford Dudley was a viable Yorkist heir.” (Lewis. 229) That would also place a very different spin on the relationship of Robert Dudley and Elizabeth I, who Lewis terms, “takes on the air of Shakespeare’s Romeo and Juliet.” (Ibid. 230)
Edward Guilford’s grave is not recorded, but a myth has it in the More Chapel within the Old Chelsea Church. Could be in the place were his coat of arms appears, and the tomb of Lady Jane Dudley marks her as a “High and Mighty Princess,” despite what is traditionally seen as a lowly birth. Lewis, who admits his ideas are only theory, says ,”If it is true, at some point during the reign of Henry VII, a decision was made and an agreement reached that the sons of Edward IV should be allowed to live in peace as long as they did not threaten the Tudor monarchy.” (Ibid. 232) Lewis sums up his argument:
It is easier to belive that Richard III did not publicise the deaths of his nephews because they were alive and well and being provided for. It is equally likely that Henry VII, while feeling their threat, did not wish to execute a 15-year-old Edward V or even a 26-year-old Richard, Duke of York, if he truly loved his wife, their sister, and agreed to keep them alive as long as they promised not to threaten his throne or his dynasty.
(Ibid. 246)
Nathan Amin in his book review for the Henry Tudor Society, says of the book and the argument, “The best compliment I can pay Matthew Lewis is whilst I can’t prove that the Princes survived, even after reading his carefully constructed and well – thought out argument, neither can I prove they were killed. And despite what you may read elsewhere, most vociferously online, neither can anyone else..” (Nathan Amin. Book Review – The Survival of the Princes in the Tower by Matthew Lewis. The Henry Tudor Society. https://henry tudorsociety.com/tag/survivail-of-the-princes-in-the-tower/)
So how is one to look upon this time period, the traditional scenarios have been written and argued since the sixteenth century, and revisions have popped up for the entire time. A new look could be as follows, with the advent of new theories, beginning with Edward IV. His mother Cecily Neville, Duchess of York, who claimed that Edward IV was not the son of her husband, Richard of York, but the produce of an affair with a French bowmen, Blaybourne. (Micheal Jones. Bosworth 1485: The Battle that Transformed England. New York: Pegasus Books. 2015. 70-84) While the family could support Edward ass king, he was a winner in battle, the idea of placing the son of an illegitimate son on the throne was not something that the age would tolerate. Especially when that son was a twelve-year-old boy with a greedy family that was already unpopular. (Ibid. 100) Richard then provided for his nephews and kept them safe by moving them out of London and into hiding. Henry Tudor, seeing a chance to reclaim the throne for his Lancaster family moved in and defeated Richard in 1485. To appease his wife, Elizabeth of York, he spared both boys , even after they led revolts against him, as long as they agreed to not challenge the Tudor dynasty. In this scenario, neither Richard or Henry are villains or evil, just good men doing what they thought was right, in a situation that may have gone terribly wrong.
But, Elizabeth of York brought another legacy to the Tudor dynasty, a genetic condition passed down from her grandmother Jocquette de Luxembourg. This genetic condition that gave King Henry VIII a Kell positive blood type, and led to him developing McLeod syndrome. This condition led to not only miscarriages but, victums of this tend to develop a deteriorating mental condition. It would turn this example of a glorious Renaissance prince into the fat tyrant of legend. (Kyra Kramner. Blood Will Tell: A Medical Explanation of the Tyranny of Henry VIII. Bloomington, Indiana: Ash Wood Press. 2012) Closely related to this gene is the gene that causes non – classic cystic fibrosis, a lung condition that in the sixteenth century would cause the victim to die around their sixteenth birthday. This occurred with Henry VII’s oldest son , Arthur, Prince of Wales, Henry VIII’s sons, Henry Fitzroy, Duke of Richmond and King Edward VI (Kyra Kramner. Edward VI in a Nutshell. MadeGlobal Publishing. 2016)
The only way to prove these theories is to exhume the bodies of all, and their tombs are well-known, and perform DNA testing, which had been done to identify Richard III, which showed that a break had occurred in the male line. Unfortunately, or maybe rightly, as to what one’s perspective one has , the Royal Family will not approve of such an effort so this route of discovery is a moot point. While this cannot be proved, it also cannot be disproved, so like many historic mysteries, it lies in the great area of argument.